Download Ebook How on Earth: Flourishing in a Not-for-Profit World by 2050, by Donnie Maclurcan

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How on Earth: Flourishing in a Not-for-Profit World by 2050, by Donnie Maclurcan

Download Ebook How on Earth: Flourishing in a Not-for-Profit World by 2050, by Donnie Maclurcan

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Review

“The concepts developed here go so much deeper and broader than the already profound financial and ecological ramifications. This book strikes at our heart space, reminding us that the human connectivity between us all is what matters most, and that our shared quest for prosperity is dramatically easier when we focus on developing strong businesses that exist to generate communal wealth”--Prof Vijoleta Braach-Maksvytis PhD FAICD, former Head, Office of the Chief Scientist of Australia“How on Earth explains how a thriving economy doesn't have to be based on providing returns to private shareholders and investors. Not-for-profit enterprises are among the most successful and sustainable businesses around. This book is a must-read!”--Linda Wilcox Young, Ph.D., Professor and Chair of Economics, Southern Oregon University"Combining passion and hard evidence, How on Earth is a fascinating, highly original book. It points to how not-for-profit organizations can play a major role in building a more caring and sustainable economy. It further documents a strong trend in this direction through not-for-profit models that generate revenue that is then invested in caring for people and nature."--Riane Eisler, author of The Real Wealth of Nations: Creating a Caring Economics"One of the most exciting searches for a sustainable alternative. Nothing else could strike at the very heart of the profit motivea―and all the damage it causes―like this does."--Richard Wilkinson, Author of The Spirit Level and Emeritus Professor of Social Epidemiology at University of Nottingham Medical School"This is precisely the bold economic thinking that we need!"--Randy Hayes, Rainforest Action Network founder & Director, Foundation Earth“A cogent, compelling blueprint for building an economy where everyone can thrive without wrecking the planet along the way."--Carl Honoré, Author of In Praise of Slowness"What would business look like aligned with a just and sustainable planet? This book offers a vision, and more than that, a practical path that people can implement right now."--Charles Eisenstein, Author of Sacred Economics, and The More Beautiful World Our Hearts Know Is Possible

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About the Author

An experienced social entrepreneur, Donnie Maclurcan is executive director at the Post Growth Institute and affiliate professor of social science at Southern Oregon University. He is author ofNanotechnology and Global Equality and co-editor of Nanotechnology and Global Sustainabilityand is currently writing The Not-for-Profit Handbook. A social systems designer, Jennifer Hinton is co-director at the Post Growth Institute and teaches sustainability and English in Athens, Greece. Her work has included projects on China's circular economy, ethanol production in Brazil and Sweden, renewable-energy job creation in Uzbekistan, and lowering the ecological footprint of Greek public schools.

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Product details

Paperback: 252 pages

Publisher: Post Growth Publishing (October 15, 2018)

Language: English

ISBN-10: 0990369005

ISBN-13: 978-0990369004

Product Dimensions:

6 x 0.8 x 9 inches

Shipping Weight: 1.1 pounds (View shipping rates and policies)

Average Customer Review:

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Amazon Best Sellers Rank:

#3,319,604 in Books (See Top 100 in Books)

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PDF Download Lost at Sea, by Bryan Lee O'Malley

PDF Download Lost at Sea, by Bryan Lee O'Malley

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Lost at Sea, by Bryan Lee O'Malley

PDF Download Lost at Sea, by Bryan Lee O'Malley

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Product details

Paperback: 168 pages

Publisher: Oni Press; 2nd edition (July 24, 2012)

Language: English

ISBN-10: 1932664165

ISBN-13: 978-1932664164

Product Dimensions:

5.5 x 0.8 x 7.9 inches

Shipping Weight: 10.4 ounces (View shipping rates and policies)

Average Customer Review:

4.4 out of 5 stars

156 customer reviews

Amazon Best Sellers Rank:

#114,027 in Books (See Top 100 in Books)

I absolutely loved the book, and though it was a bit hard to follow at times because of odd time-jumps, it was a nice read. There were a few confusing points in the book where I wasn’t quite sure who was lying or what was real, but i suppose that might have been the point. It expressed was a lot of uncertainty about the world, which was a nice change, as opposed to books where the character feels at home. That seems to be a major point of the novel - she doesn’t feel at home. I think a younger teenage me would’ve absolutely loved it, so if you’re looking for something for an angsty teen, this could be a good one.It came with a different cover than in the pictures, which threw me off a bit.

I really wish there were more books like this one.The mood is perfect.The art is so simple that it conveys so much.If there are other books like this in pace, weirdness, and simplicity... please let me know.Like create a telepathic link and let me know, or... send a cat.same thing.

The main character was the most relatable I've read in recent memory. Very introspective. Very unexpected. I'm finding it hard to describe what's so good about this story. It does something positive with depression without seeming patronizing or saccharine-sweet at all. (I'm not saying the main character is def. clinically depressed in canon, but, it is a reasonable interpretation imho.)

Having come to Bryan Lee O'Malley's work via the often-frenetic Scott Pilgrim (first the fun film, then the amazing comic), I wasn't sure that Lost at Sea would be up my alley. Turns out that it was - it's a engaging, melancholy meditation on the uncertainty of being a young adult, and what that means about the relationships around you.I personally find the minimalist approach to the color very appealing and appropriate to the story.If you like the quieter moments of Blue Monday or Penny & Aggie, then I recommend Lost at Sea.

Bryan Lee O'Malley, of Scott Pilgrim fame (Scott Pilgrims Precious Little Boxset), shows off his skills of giving characters depth and realism in this graphic novel, Lost At Sea. While written by O'Malley, it is obvious to see that this book is in a completely different style from Scott Pilgrim. This story is told in the first person, which allows you to see the depth of the introverted Raleigh and her mind.In short, if you are buying this book expecting it to be like Scott Pilgrim, you wont get what you want out of it. That said, this graphic novel is definitely worth your time and money.

If you've read Scott Pilgrim, I recommend that you leave all of your preconceived notions about O'Malley at the door before you read this book. Other than the artwork, this book is nothing like that series. If you're expecting some cutesy book, you're in the wrong place.Lost at Sea follows the character of Raleigh, an overly timid young teen who is completely at a loss as to who she is. She claims to have no soul, a result of certain actions occurring in her youth. Raleigh finds herself on a car trip with three of her classmates at her school, unsure as to how to interact with them. But as the miles pass by, Raleigh will find herself opening up to her fellow passengers about herself, her doubts & her life.I really loved this book. I'll admit, it was a bit slow to get into, but it really was a fantastic read. The artwork is all wonderful, which is something I've come to expect from O'Malley throughout the years. I loved how some of the most serious issues in the book- most notably the one major reason why Raleigh is the way she is- are all done subtly. It's up to the reader as to whether or not they pick up on the smaller details. If you aren't careful, you'll miss an entire element of the book that'll take the story to a whole new level.I would honestly recommend this to anyone who loves a good indie comic. Again, I'll warn the Scott Pilgrim fans that this is a very serious book, so if you are looking for laughs & cute stuff, you may want to pass this one by. I hope you give it a real chance, as this truly is a book worth reading & sharing with your friends. One thing I'll add to this review is that if you like his work, you should also check out his work in the Hopeless-Savages series.

Bryan Lee O'Malley really has his way on talking about teenagehood.I read Lost at Sea after reading Scott Pilgrim and Seconds and I must say I like it slightly less then his other two works. But that doesn't make it a bad novel - far from it.Raleigh is a standard teenager, with all the fears and doubts that comes with this period of ife, and deals with the relationship with some near-strangers on a road trip, while understands a little more about herself and how she is less soulless than she thinks.The "fantasy" element is a lot less present on this work (comparing to SP and Seconds) and the narrative style is far more traditional than the typical "Bryan Lee O'Malley" that we all love. But still this comic is worth your time.

The story takes a little while to take off, but it has really great pay off. I would definitely recommend this comic to people that like reading more personal stories about people interactions. This is not at all similar to any superhero, fantasy, or action comic you have read in the past. I could see someone adapting this into a good indie film some day.

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Download PDF Critical Listening Skills for Audio Professionals

Download PDF Critical Listening Skills for Audio Professionals

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Critical Listening Skills for Audio Professionals

Download PDF Critical Listening Skills for Audio Professionals

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About the Author

The late F. Alton Everest (1909-2005) was the most respected audiologist in the professional recording industry. His revered works and courses produced more than twenty books and editions in his lifetime, including The Master Handbook of Acoustics, Audio Techniques for the Home and Studio, and How to Build a Small Budget Recording Studio from Scratch ... With 12 Tested Designs. As the supervisor of UC San Diego¿s Listening Section Laboratory during WWII, Everest conducted underwater sound research experiments for the war effort. For 25 years he produced science fi lms for the renowned Moody Institute of Science, followed by years teaching and working as a highly sought after audio consultant.

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Product details

Hardcover: 216 pages

Publisher: Cengage Learning; 2 edition (June 20, 2006)

Language: English

ISBN-10: 1598630237

ISBN-13: 978-1598630237

Product Dimensions:

8.8 x 0.8 x 11.2 inches

Shipping Weight: 1.5 pounds

Average Customer Review:

4.0 out of 5 stars

29 customer reviews

Amazon Best Sellers Rank:

#649,501 in Books (See Top 100 in Books)

As a person who tends to be a visual learner rather than an aural learner this course is a very good exercise for getting me to focus and train my ear and mind in new ways. These listening skills are not "automatic" for me so the fact that this book starts at ground level is fine even if I already understand it on paper (and by the lights on my eq- lol).As far as the Critical Listening cd goes I have had no trouble getting it to play, but...why is the first half the book the back half the cd and the second half of the book start at track 1?to confuse me more, when I get to the middle of the cd (where the lessons at the front of the book begin) it starts with lesson two??? Wondering where chapter one disappeared to I skipped through the tracks only to find it as the last track on the cd, track 18. Silly me I expected the cd to follow the book and for lesson one to correspond to track one. What the heck ever happened to quality control? C'mon guys! So minus one star for the quality issues, not content.The ideas are laid out logically and the course walks you along one little step at time. The latter could be a plus or a minus depending upon where you are coming from. For me this was better than if it had just rushed me along without being clear and concise, even if at the expense of being a bit tedious.Others like me might also appreciate the cd that comes with Ira White's "audio made easy" book. It touches on this topic in a practical way with examples involving actual instruments. White's book covers the basics (in breadth, not depth) and is a good resource for those just getting their feet wet in pro audio.

I picked up this book along with Master Handbook of Acoustics and found this book a good accompaniment. A lot of the topics discussed in the Master Handbook sort of coincided with this book in a similar order. I found the audio examples to be a fair reference point.. some of the demonstrations were pretty hokey but the point was totally there. The one thing I didn't like about the Master Handbook of Acoustics was the fact that it was a lot of theory without any sort of audio reference to tie the chapters together and this book worked as a good compliment and an overview of what you're listening for.It's true that if you have a copy of this book without a CD, it's useless since it does have audio identification exercises. If you receive this book without a CD or the CD is broken and you purchased from this site, Amazon does have a return policy so you'll want to replace it with a different copy right away. Also, if you've got a crazy audiophile setup but can't figure out a way to convert an .mp3 to a CD audio friendly format, try out Audacity for this purpose "[...]"I gave this book 4 stars since it has a dependency on the CD which, according to other reviews, does not work on all systems. This is more of a workbook of exercises than a full on how-to for critical listening.

I am currently a student in mediaproduction and not too apt in the field of audio. Often I would come across examples in my textbooks on problems concerning EQ, audio levels, sounds masking eachother comb filter effect etc. My biggest problem is that I do not know what I should listen for. I haven't finished this book yet, but I still feel confident enough about in order to praise it in a review. This book is very good. Nice examples on the CD and very helpful. I do not know how useful it is for audio professionals, but for a student I think it is awesome.In my first review I wrote that I thought the CD was sloppily made. In fact there was no trouble with the tracks, but since I did not realize that the CD contained mp3's rather than ordinary CD tracks my player read track 10 as track 2. Well, I dont know if I would trust mp3's as a listening reference (even if they have a very hight quality). I wish they could have used CD quality Wave files on a DVD instead. Still a helpful book, though.

Useful although a bit dated.

As a working musician I have branched into audio work, as well. In the first lesson out of the gate the system "tunes" you in to a new way of thinking. I have found this book to be a great jump start to more effectively running live sound.

This book contains some clear and self explanatory audio exercises. I hate to acknowledge that most of the exercises could have already been performed by using a 'free' (computer) tone generator to explore the different frequency ranges. Beware, it will require time to learn to listen properly. I was very wrong to believe that by listening to the contents once, I was set. I would suggest to make copies of use a separate sheet of paper to answers the exercises. This way you can repeat it, over and over. I would definitely recommend this book to anyone interested in improving his/her audio listening skills.*PROS: -Good and helpful exercises -Nice correlation between the audio exercises and the freq. graphs on the book. -If you have no patience to play with a tone generator, this book is well suited for you.*CONS -The CD without the book or the book without the CD become useless. -You need to read the book while you listen to the CD. -The CD is in fact an MP3-CD, so you may not play it anywhere you want. -I have the impression that the book is kind of expensive. Many of the exercises can already be performed by anyone using a (free) tone generator. - The book is kind of bulky to take it anywhere.

Amazingly well done book. We are using it for homeschooling too!

As described, Quality and Shipment.As described, Quality and Shipment.

Critical Listening Skills for Audio Professionals PDF
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Critical Listening Skills for Audio Professionals PDF

Critical Listening Skills for Audio Professionals PDF

Critical Listening Skills for Audio Professionals PDF

Critical Listening Skills for Audio Professionals PDF

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