Get Free Ebook Hitchcock's Stars: Alfred Hitchcock and the Hollywood Studio System
Use the sophisticated technology that human creates this day to discover guide Hitchcock's Stars: Alfred Hitchcock And The Hollywood Studio System quickly. However first, we will certainly ask you, how much do you love to check out a book Hitchcock's Stars: Alfred Hitchcock And The Hollywood Studio System Does it constantly until finish? For what does that book review? Well, if you actually like reading, aim to review the Hitchcock's Stars: Alfred Hitchcock And The Hollywood Studio System as one of your reading collection. If you just reviewed guide based on requirement at the time and also unfinished, you should try to like reading Hitchcock's Stars: Alfred Hitchcock And The Hollywood Studio System initially.
Hitchcock's Stars: Alfred Hitchcock and the Hollywood Studio System
Get Free Ebook Hitchcock's Stars: Alfred Hitchcock and the Hollywood Studio System
Come follow us every day to understand what books upgraded everyday. You recognize, guides that we provide daily will be updated. As well as now, we will certainly offer you the new publication that can be reference. You could select Hitchcock's Stars: Alfred Hitchcock And The Hollywood Studio System as the book to read now. Why should be this publication? This is among the most up to date book collections to upgrade in this website. The book is likewise suggested because of the strong factors that make numerous people enjoy to use as reading product.
This book is very proper for guide motif that you are looking for now. Lots of sources could supply the selection, but Hitchcock's Stars: Alfred Hitchcock And The Hollywood Studio System can be the very best means. It is not just one thing that you can appreciate. Much more things and also lessons are offered or you to cover what you exactly need. Several viewers should read guides additionally due to the particular factors. Some might enjoy to read it a lot but some might require it since the work target date.
When a person tries to read the Hitchcock's Stars: Alfred Hitchcock And The Hollywood Studio System, it will imply that she or he has actually started something brand-new, the brand-new wisdom. So, you need additionally to be among them that could obtain all compassion of reading this book. As recognized, reading is considered as one need to do be everyone. If you think that analysis has to be done just by the pupils, that's absolutely incorrect. You could encounter the life fell short.
When getting Hitchcock's Stars: Alfred Hitchcock And The Hollywood Studio System as your analysis resource, you may get the straightforward means to stimulate or get it. It needs for you to pick as well as download the soft data of this referred book from the link that we have given here. When everyone has truly that great sensation to read this publication, she or the will certainly always assume that checking out book will certainly always lead them to get far better destination. Wherever the destination is for life much better, this is exactly what probably you will acquire when choosing this book as one of your analysis sources in spending leisure times.
Review
There’s a well-known story about film director Alfred Hitchcock that says he believed actors were like cattle. In fact, he said they should be treated like cattle—a subtle but important distinction—but the big question is whether he actually believed what he said. As the author demonstrates in this perceptive look at Hitchcock’s American films, the director definitely believed that actors should service the story, not the other way around, but, on the other hand, he could be almost infinitely patient, allowing a performer to ease into a scene (as he did with Ingrid Bergman), and he seemed to have a keen ability to match an actor with a character (the poor performances in Hitchcock’s movies, Coffin notes, were usually due to casting choices imposed on the director by the studios). It would have been easy for Coffin to paint Hitchcock, as so many writers have already done, as a heartless director who thought actors were an inconvenient necessity, but the truth is rather more complex than that, and Hitchcock’s legion of fans should be happy that Coffin is interested in finding it. (Booklist)At present, the books and critical studies on film director Alfred Hitchcock and his movies far outnumber the films themselves. This book . . . deals in a unique fashion with the 28 Hollywood films Hitchcock directed, beginning with Rebecca (1940) and ending with Family Plot (1976). In this volume the author focuses on the leading actors in each film (usually two or three per film), the characters they portrayed, and the quality of each performance. In six to eight pages per film, the author discusses casting choices (who got the roles, who did not, and why), pertinent background material on each featured actor, a brief analysis of each character portrayed (prior knowledge of the film is helpful), progress and problems in the shooting of each film, Hitchcock’s treatment of each of the stars, the critical reception to the film and, most important, an evaluation of the nature and quality of each actor’s performance. Here, the author quotes generously from other film critics and often from Hitchcock, the master himself. However, usually the opinions expressed are those of the author and they are candid, honest, discerning, sometimes very harsh, but always interesting. The book concludes with source notes for each chapter, a filmography that gives a complete cast list and a rundown of the production staff of each film, and a brief index. Throughout the text there are numerous black-and-white photographs, many of them taken during filming. Because of the author’s unique approach to her subject, this book sheds new light on this master director and his output. This work is recommended for large libraries and nay institution involved in film studies. (American Reference Books Annual)Hitchcock’s Stars: Alfred Hitchcock and the Hollywood Studio System tackles a topic that is rarely discussed in any amount of detail. Coffin’s text attempts to shed new light on Hitchcock’s method of using actors (or 'stars') in interesting ways throughout his career in Hollywood. . . .There is a lot to like about Coffin’s text, and the book was a noble undertaking. It is a very enjoyable read, and it is certainly nice to see that this particular topic is finally receiving a book-length treatment. (HitchcockMaster)[Hitchcock's Stars: Alfred Hitchcock and the Hollywood Studio System] is strongest in the moments when Hitchcock discusses dealing with stellar images of some actors and actresses in specific roles.... [This book] is worth reading. (Translated from the original Czech) (25fps)
Read more
About the Author
Lesley L. Coffin is a freelance writer on film and popular culture. She is the author of Lew Ayres: Hollywood’s Conscientious Objector (2012).
Read more
Product details
Paperback: 246 pages
Publisher: Rowman & Littlefield Publishers; Reprint edition (January 16, 2017)
Language: English
ISBN-10: 144227803X
ISBN-13: 978-1442278035
Product Dimensions:
6.2 x 0.7 x 8.8 inches
Shipping Weight: 13.8 ounces
Average Customer Review:
3.5 out of 5 stars
3 customer reviews
Amazon Best Sellers Rank:
#491,682 in Books (See Top 100 in Books)
Excellent look at the casting of Hitchcock's Hollywood films and how the choices made affected what was on the screen.The trick to enjoying the book is to understand that the book is limited in its scope. It only concerns Hitchcock's American films and it only concerns the casting. If you go into the book expecting grand tales on the complete productions of the films you are going to be disappointed. However if you go into the book and go along with what it's doing you will have a great time. For me the film forced me to stop and think about films that might have been or what might have happened if other films had been cast differently. The fact that the book forces you to really think about how all films are cast and the effect the casting is one of the book's strongest points.
A whole new perspective on this fascinating film maker
The author is quite right in drawing attention to the paucity of material regarding casting in Alfred Hitchcock's films, but unfortunately this book does little to remedy that deficiency. This book contains no original research, and after deciding on a fairly superficial main thesis--Hitchcock did not give much credit to his actors--Ms. Coffin slavishly follows this idea through brief (6 to 8-page) chapters about the director's films from "Rebecca" through "Family Plot."These chapters offer very little depth or insight. There is NO bibliography and her notes reveal she has relied mostly on the Donald Spoto biography of Hitchcock, the Truffaut/Hitchcock interviews, and star biographies published decades after the fact rather than consult original documents. Her book often contains egregious errors. Here is a typical example from her chapter on "Dial M for Murder":“When first purchasing the property of the stage play, Hitchcock wanted to cast the most elegant and beloved actress of the time: Audrey Hepburn.†This is just plain wrong. "Dial M for Murder" started shooting on July 30, 1953. Audrey Hepburn had already completed "Roman Holiday" in 1952, but the film did not get released until late August, 1953 and her TIME magazine cover came in September, 1953. In July, 1953 Hepburn was still an unknown to American moviegoers except for bit parts in foreign films (like her 12-second walk-on as "Chiquita" in "The Lavender Hill Mob"). This makes the rest of Coffin's "analysis" fairly painful reading, e.g. "Although a star like Audrey Hepburn would have been an undeniable box-office draw for audiences, she would have also been the biggest star in the movie..."Her chapter on "Psycho" fails to mention Hitchcock's overriding casting imperative with that film--getting the best actors he could for the lowest prices [Tony Perkins for $40,000, Janet Leigh for $25,000, Vera Miles for $10,000 (!)]--in the process of making a low-budget horror film. Coffin also does not seem to have actually watched any of Janet Leigh's prior films when stating, "It was unexpected to see a good girl like Leigh with short hair in her bra and underwear, committing robbery and trying to escape." Leigh's physical charms had unabashedly been presented throughout most of her previous career, and her portrayal of Linda, an alcoholic glamour girl marrying an older man for his money in "Safari" (1956) or Anna, a ruthless Soviet spy who uses sex to entrap John Wayne in "Jet Pilot" (1957) were hardly "good girl" parts. She literally had her bodice ripped (exposing her naked back) as Morgana in "The Vikings" (1958) and displayed plenty of cheesecake for the viewers of "Touch of Evil" (1958), so Hitchcock undressing her in "Psycho" was not unexpected at all: having her murdered while undressed was the coup.Apparently this book started as a college thesis--which is where it should have stayed until Ms. Coffin had done more research and consulted with more critical (& knowledgeable) editors that were available to her at Rowman & Littlefield.P.S. 5-Star reviews from family members [SEE "Coffintom"] are simply EMBARRASSING!
Hitchcock's Stars: Alfred Hitchcock and the Hollywood Studio System PDF
Hitchcock's Stars: Alfred Hitchcock and the Hollywood Studio System EPub
Hitchcock's Stars: Alfred Hitchcock and the Hollywood Studio System Doc
Hitchcock's Stars: Alfred Hitchcock and the Hollywood Studio System iBooks
Hitchcock's Stars: Alfred Hitchcock and the Hollywood Studio System rtf
Hitchcock's Stars: Alfred Hitchcock and the Hollywood Studio System Mobipocket
Hitchcock's Stars: Alfred Hitchcock and the Hollywood Studio System Kindle
0 komentar:
Posting Komentar