PDF Ebook The World of Christopher Marlowe, by David Riggs
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The World of Christopher Marlowe, by David Riggs
PDF Ebook The World of Christopher Marlowe, by David Riggs
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From Publishers Weekly
Riggs (Ben Jonson: A Life), an English professor at Stanford University, traces the life of Elizabethan poet, playwright and spy Christopher Marlowe (1564–1593), placing him in the context of the institutions that both fostered his keen intellect and reinforced his awareness of his lowly class origins (his father was a shoemaker). Riggs suggests that Marlowe, Shakespeare's great contemporary, author of Tamburlaine and Dr. Faustus, may have sought to overcome those origins through his unusual and dangerous career path. Working in the New Historicist vein most recently mined by Stephen Greenblatt in Will in the World, Riggs evokes the pedagogical preoccupations of Marlowe's school and university education, revealing layers of intricate detail in Marlowe's formation as a literary artist: his study and translation of Ovid, his innovations in blank verse, and the substance and reception of all of his plays and poetry. While downplaying Marlowe's disputed sexuality, Riggs pays careful attention to the homoerotic and homophobic aspects of his plays, most notably Edward II, considering each in its contemporary moral and political setting. Riggs concludes with fresh insights into the mysterious circumstances of Marlowe's violent death. This study balances close literary readings with lucidly presented historical context to give us a portrait of a brilliant but volatile enigma who shunned convention in favor of risk and marginality. 50 b&w illus. Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
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From Booklist
*Starred Review* A biography of Shakespeare's greatest forebear in the Elizabethan theater must be the product of considerable grubbing and decoding. No portrait of Marlowe (1564-93) exists; he is referred to by several names (e.g., Morley, Merlin) that are spelled and, one would think, pronounced differently; and he had reasons to be untraceable, including the disesteem in which playwrights were held and his work-for-hire as a secret agent, maybe even a double agent, of the factions contending for power in England. Those contestants were the queen and high-church Protestants; the disestablished English Catholic Church and Catholic aristocrats at home and expatriate; and the rising Puritans, who could practically ally with the Catholics. Intelligent young lower-class men like Marlowe, the Cambridge scholarship-student son of an originally itinerant worker, functioned with enormous fluidity among those factions. Basically, Marlowe was a queen's man, but he was often arrested and ultimately murdered, Riggs shows, because he was suspected of being, or about to become, an atheist collaborator with the Catholics. His plays, as Riggs very persuasively parses them, argue that he was indeed atheist; with his reported behavior--rambunctious and blasphemous--they argue that he was antinomian and antiauthoritarian, too. Outstanding social history, detective work, literary analysis, and portrayal of a truly dangerous time and place--Elizabethan London. Ray OlsonCopyright © American Library Association. All rights reserved
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Product details
Hardcover: 432 pages
Publisher: Henry Holt and Co.; 1st edition (January 5, 2005)
Language: English
ISBN-10: 0805077553
ISBN-13: 978-0805077551
Product Dimensions:
6 x 1.4 x 9.9 inches
Shipping Weight: 1.6 pounds
Average Customer Review:
4.2 out of 5 stars
15 customer reviews
Amazon Best Sellers Rank:
#1,331,551 in Books (See Top 100 in Books)
Inarguably, one of the most famous playwrights in the Elizabethan world after Shakespeare is his rival, Christopher Marlowe, who within a brief meteoric career wrote some of the most remarkable dramas for the English stage such as "Tamburlaine the Great", "Doctor Faustus", "The Jew of Malta", "Edward II and the "Massacre of Paris".David Riggs declares in the prologue "This is a book about Marlowe's life, his works, and his world", however, the one element that strikes the reader is Riggs' graphic accounts of Marlowe's world, and therefore this book certainly lives up to its title in that respect. The information concerning his education, the influences of his childhood, the blood-curdling world of Elizabethan politics and religious tensions definitely keeps the reader turning the pages. For the record, Riggs supports the theory Marlowe's untimely end was part of an assassination plot hatched by the Elizabethan secret service: his argument is convincing. While Riggs does explore Marlowe's life, works and horrific death in depth, it is obvious the reader is expected to be familiar with the playwright's biography and works to a point already before certain sections can be understood in this book. Also, there are areas where the text tends to prove cumbersome and difficult to keep track of, such as Riggs' account of the cloak-and-dagger world of the Elizabethan secret service and those who became entangled within this sphere; however, I would not let this be a deterrent, if anything, this displays how tangled the webs of deception had become in that era. While it cannot be proven how far Marlowe had sunk in that quagmire in the domestic scene, we can fully appreciate the dangers he was courting if he was employed as one of their agents in the field, especially his escape from his counterfeiting escapade in the Dutch town of Flushing.The book contains an extensive bibliography, index and references. The various woodcut illustrations and portraits are a nice touch. A great book for Marlowe devotees.E.A. Bucchianeri, author of ...
Christopher Marlowe, the Elizabethan poet and playwright, was one of the most talented members of his generation. He helped pioneer the use of blank verse in dramatic poetry and used it to produce five masterpieces while William Shakespeare--who was only two months younger than Marlowe--was still finding his dramatic footing. Who can say how great he might have become if he were not cut down (possibly on orders of the Queen, herself) at the age of 29.As a man, Marlowe was the "unShakespeare". Where Shakespeare was a prudent man who invested his money wisely and was careful not to offend authority, Marlowe was a risk-taker both in his personal life and in his plays. In an age where not toeing the official ine was punishable by death, Marlowe never met a line he was not tempted to cross. If this is what got him killed, it also makes him a fascinating person to read about.David Riggs weaves Marlowe's personal tragedy into an exciting volume that I found as hard to put down as any thriller. It is a book I can heartily recomend.
I agree with the reader who says the book is often abstruse. The chapter on double-agenting had my eyes rolling and I was constantly looking back pages to see who's who. Add to this the fact that these Brits (or their elite) can be referred to by a seemingly endless list of tiles each (and, then, their names, as well) and that the minor functionaries and offices of government aren't on everyone's tongue and one often feels mired in the mud. I think this could have been alleviated with chapter introductions or summaries or just a more prudent handling of the proper nouns. Anyway, when I get to that point in any book, I just try to make sure I'm getting the main point and head thru at a trot.... Life is short, and there's so much to read!What I got that was positive from this book, and it was very positive indeed, was a sense of M's contribution to blank verse and the development of Elizabethan drama. I went to my shelves to look at some earlier stuff, and yeppir, there's Marlowe at the dividing line. This certainly gave me a whole new appreciation of him as a figure in English literature and has got me back to sampling some other Elizabethan writing, including his ,comparing and contrasting, which is a nice trip. Very interesting to see how these boy's classical education trained them to snap off large amounts of magnificent English poetry. (The last British governor of Chad remarked in the NYRB that he had zero training when assigned, but the underlying assumption of his superiors was that if you translate Latin poetry to Greek poetry ad lib you could surely run a country! I suppose history has dimmed that conceit, but as a liberal artser, I liked it anyway.)The historical/political background was already well known to me and as far as who might have or could have done this or that, I like my speculation with the facts.(The book is unfortunatly cheaply produced, though not more so than many, and and the illustrations are really muddy. A book can be handsomely done for $30. Check out, for instance, Who Murdered Chaucer - St. Martin's Press - for a sad contrast in book production, also a $30 dollar item.)
Extremely well researched. Lots of detail. Moderately well written but a bit academic.
Just as promised.
The academic Grenblatt cited this book in an article he wrote, and that was enough for me to trust it. After reading it, I'll have to say while it is involved and expects its reader to pay attention, it's a remarkable book. My fascination with Marlowe was bolstered by it. If you love Marlowe or Elizabethan England, this scholarly but accessible book will hold your interest fast.
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